This vivid story opens with every couple’s nightmare—the disappearance of their comfortable known world. Ruin’s adventure explores the unpredictable progression of character and chance for Francy and Frank Campbell, newly destitute in their early thirties, along with their lovers and foes. And a murder investigator . . . .

Frank is another dreamer whose life is suddenly burned to the ground. More a disillusioned literature Ph.D. than an experienced financier, he had naively agreed to join his wife’s inheritance with his own personal guarantee of a college friend’s private equity partnership debt.

The business implosion and subsequent bankruptcy took all their assets. Francy, an orphaned European heiress, now finds herself homeless, still married to pleasant, witty Frank—who had failed to protect them from disaster.

The couple flees Manhattan to live at a desolate non-working Hudson Valley farm. Frank starts an artisanal brewery with a charismatic new eccentric friend. And, central to the heart of the story, he takes up fly fishing. A local doctor, perceiving Frank’s depression, prescribes that he gain some confidence through self-taught fishing.

Frank’s perceptions on the water are fresh and acute, sometimes colored by his memory of the words of famous writers, now painfully ironic in his life’s new context. The novel weaves together fly fishing and life experiences that ultimately turn shockingly deadly.

And throughout, there is Francy’s story. Now in exile, she re-approaches painting with new and darkly complex emotional energy. Painting in reclusive concentration, she cuts Frank off, tacitly becoming her own woman. Her work’s enigmatic intensity attracts a wealthy neighbor who offers Francy a show in his Manhattan gallery and that attracts a great deal of trouble indeed.

The controversy over who really wrote Shakespeare’s plays has been around almost since they were written. Was the genius behind the plays really that obscure glover’s son from Stratford? Or was it someone else entirely—a man whose class, background, education, and peculiarities make him a more than plausible candidate?

In The Which of Shakespeare’s Why, a 21st-century playwright named Harry Haines makes the case for a major contender via a play he himself is writing for a struggling New Jersey theatre company. Faced with strong disapproval from the “Stratfordites” and with the backing of supporters that sometimes takes some unusual forms, Harry attempts, against great odds, to get the play written and staged.

In the process he has to overcome his own doubts, stay on the right side of the right people, keep his romantic life under control, and deal with not only a difficult actress or two but a flock of opinionated Rockettes. Part hilarious farce, part serious critical examination, The Which of Shakespeare’s Why provides a thought-provoking look at a controversial puzzle with a surprising, ingenious, and wholly satisfying ending that Shakespeare—whoever he was—would have given a standing ovation.